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Some of these forms may be hypothetical. Not every possible mutated form of every word actually occurs. To allay Renault's suspicions, Rick explains that he and Ilsa will be leaving for America.
When Renault tries to arrest Laszlo as arranged, Rick forces him at gunpoint to assist in their escape.
At the last moment, Rick makes Ilsa board the plane to Lisbon with Laszlo, telling her that she would regret it if she stayed—"Maybe not today, maybe not tomorrow, but soon and for the rest of your life.
Rick shoots him when he tries to intervene. When policemen arrive, Renault pauses, then orders them to "round up the usual suspects.
As they walk away into the fog, Rick says, "Louis, I think this is the beginning of a beautiful friendship".
The play's cast consisted of 16 speaking parts and several extras; the film script enlarged it to 22 speaking parts and hundreds of extras.
The top-billed actors are: Much of the emotional impact of the film has been attributed to the large proportion of European exiles and refugees who were extras or played minor roles in addition to leading actors Paul Henreid, Conrad Veidt and Peter Lorre: A witness to the filming of the "duel of the anthems" sequence said he saw many of the actors crying and "realized that they were all real refugees".
The comedian Jack Benny may have had an unbilled cameo role, as was claimed by a contemporary newspaper advertisement  and in the Casablanca press book.
That's all I can say. The Jack Benny Fan Club can feel vindicated. The entire picture was shot in the studio, except for the sequence showing Major Strasser's arrival, which was filmed at Van Nuys Airport , and a few short clips of stock footage views of Paris.
The background of the final scene, which shows a Lockheed Model 12 Electra Junior airplane with personnel walking around it, was staged using little person extras and a proportionate cardboard plane.
Film critic Roger Ebert called Hal Wallis the "key creative force" for his attention to the details of production down to insisting on a real parrot in the Blue Parrot bar.
The difference between Bergman's and Bogart's height caused some problems. Later, there were plans for a further scene, showing Rick, Renault and a detachment of Free French soldiers on a ship, to incorporate the Allies' invasion of North Africa.
It proved too difficult to get Claude Rains for the shoot, and the scene was finally abandoned after David O. Selznick judged "it would be a terrible mistake to change the ending.
The original play was inspired by a trip to Europe made by Murray Burnett and his wife in , during which they visited Vienna shortly after the Anschluss and were affected by the anti-Semitism they saw.
In the south of France, they went to a nightclub that had a multinational clientele, among them many exiles and refugees, and the prototype of Sam.
As Tangier was in Spanish territory, the theatre's wartime bar heaved with spies, refugees and underworld hoods, securing its place in cinematic history as the inspiration for Rick's Cafe in Casablanca.
The first writers assigned to the script were twins Julius and Philip Epstein who, against the wishes of Warner Brothers , left at Frank Capra 's request early in to work on the Why We Fight series in Washington, D.
Koch later commented, "When we began, we didn't have a finished script Ingrid Bergman came to me and said, 'Which man should I love more?
In the play, the Ilsa character is an American named Lois Meredith; she does not meet Laszlo until after her relationship with Rick in Paris has ended.
Rick is a lawyer. To make Rick's motivation more believable, Wallis, Curtiz, and the screenwriters decided to set the film before the attack on Pearl Harbor.
The uncredited Casey Robinson assisted with three weeks of rewrites, including contributing the series of meetings between Rick and Ilsa in the cafe.
Bogart had to be called in a month after the end of filming to dub it. Despite the many writers, the film has what Ebert describes as a "wonderfully unified and consistent" script.
Koch later claimed it was the tension between his own approach and Curtiz's which accounted for this: But when corn works, there's nothing better.
The film ran into some trouble with Joseph Breen of the Production Code Administration the Hollywood self-censorship body , who opposed the suggestions that Captain Renault extorted sexual favors from his supplicants, and that Rick and Ilsa had slept together.
All direct references to sex were deleted; Renault's selling of visas for sex, and Rick and Ilsa's previous sexual relationship were implied elliptically rather than referenced explicitly.
The script has been subject to a significant amount of misquotation. One of the lines most closely associated with the film—"Play it again, Sam"—is inaccurate.
Play ' As Time Goes By '. The other five are:. Additionally, the line "Ilsa, I'm no good at being noble, but it doesn't take much to see that the problems of three little people don't amount to a hill of beans in this crazy world" was nominated for the list.
Wallis's first choice for director was William Wyler , but he was unavailable, so Wallis turned to his close friend Michael Curtiz.
Roger Ebert has commented that in Casablanca "very few shots Casey Robinson said Curtiz "knew nothing whatever about story Critic Andrew Sarris called the film "the most decisive exception to the auteur theory ",  of which Sarris was the most prominent proponent in the United States.
Aljean Harmetz has responded, "nearly every Warner Bros. Sidney Rosenzweig, in his study of the director's work, sees the film as a typical example of Curtiz's highlighting of moral dilemmas.
The second unit montages , such as the opening sequence of the refugee trail and the invasion of France, were directed by Don Siegel.
Particular attention was paid to photographing Bergman. She was shot mainly from her preferred left side, often with a softening gauze filter and with catch lights to make her eyes sparkle; the whole effect was designed to make her face seem "ineffably sad and tender and nostalgic".
Rosenzweig argues these shadow and lighting effects are classic elements of the Curtiz style, along with the fluid camera work and the use of the environment as a framing device.
The music was written by Max Steiner , who was best known for the score for Gone with the Wind. Particularly memorable is the "duel of the songs" between Strasser and Laszlo at Rick's cafe.
Originally, the opposing piece for this iconic sequence was to be the " Horst Wessel Lied ", a Nazi anthem, but this was still under international copyright in non-Allied countries.
Instead " Die Wacht am Rhein " was used. Although an initial release date was anticipated for early ,  the film premiered at the Hollywood Theater in New York City on November 26, , to coincide with the Allied invasion of North Africa and the capture of Casablanca.
The Office of War Information prevented screening of the film to troops in North Africa, believing it would cause resentment among Vichy supporters in the region.
Casablanca received "consistently good reviews". Crowther noted its "devious convolutions of the plot", and praised the screenplay quality as "of the best" and the cast's performances as "all of the first order".
The trade paper Variety commended the film's "combination of fine performances, engrossing story and neat direction" and the "variety of moods, action, suspense, comedy and drama that makes Casablanca an A-1 entry at the b.
Some other reviews were less enthusiastic. The New Yorker rated it only "pretty tolerable" and said it was "not quite up to Across the Pacific , Bogart's last spyfest".
In the seven decades since its production the film has grown in popularity. Murray Burnett called it "true yesterday, true today, true tomorrow".
It was so popular that it began a tradition of screening Casablanca during the week of final exams at Harvard University , which continues to the present day.
Other colleges have adopted the tradition. Todd Gitlin , a professor of sociology who had attended one of these screenings, has said that the experience was "the acting out of my own personal rite of passage".
By , Casablanca was the most frequently broadcast film on American television. On the film's 50th anniversary, the Los Angeles Times called Casablanca ' s great strength "the purity of its Golden Age Hollywoodness [and] the enduring craftsmanship of its resonantly hokey dialogue".
Bob Strauss wrote in the newspaper that the film achieved a "near-perfect entertainment balance" of comedy, romance, and suspense.
According to Roger Ebert , Casablanca is "probably on more lists of the greatest films of all time than any other single title, including Citizen Kane " because of its wider appeal.
Ebert opined that Citizen Kane is generally considered to be a "greater" film, but Casablanca "is more loved.
Rick, according to Rudy Behlmer , is "not a hero The other characters, in Behlmer's words, are "not cut and dried" and come into their goodness over the course of the film.
Renault begins as a collaborator with the Nazis who extorts sexual favors from refugees and has Ugarte killed. Even Ilsa, the least active of the main characters, is "caught in the emotional struggle" over which man she really loves.
By the end, however, "everybody is sacrificing. A few reviewers have had reservations. To Pauline Kael , "It's far from a great film, but it has a special appealingly schlocky romanticism All the characters react to what the plot dictates to them; the plot does not organically flow from their personae.
Casablanca is a very mediocre film. Eighty-five of them read it; of those, thirty-eight rejected it outright, thirty-three generally recognized it but only eight specifically as Casablanca , three declared it commercially viable, and one suggested turning it into a novel.
Many subsequent films have drawn on elements of Casablanca. Indirectly, it provided the title for the neo-noir film The Usual Suspects.
The film Casablanca was a plot device in the science-fiction television movie Overdrawn at the Memory Bank , based on John Varley 's story.
It was referred to in Terry Gilliam 's dystopian Brazil Casablanca has been subjected to many readings; Semioticians account for the film's popularity by claiming that its inclusion of stereotypes paradoxically strengthens the film.
Thus Casablanca is not just one film. It is many films, an anthology. Made haphazardly, it probably made itself, if not actually against the will of its authors and actors, then at least beyond their control.
And this is the reason it works, in spite of aesthetic theories and theories of film making. For in it there unfolds with almost telluric force the power of Narrative in its natural state, without Art intervening to discipline it When all the archetypes burst in shamelessly, we reach Homeric depths.
Eco also singled out sacrifice as a theme, "the myth of sacrifice runs through the whole film". Koch also considered the film a political allegory.
Rick is compared to President Franklin D. Roosevelt , who gambled "on the odds of going to war until circumstance and his own submerged nobility force him to close his casino partisan politics and commit himself—first by financing the Side of Right and then by fighting for it".
The connection is reinforced by the film's title, which means " white house ". Harvey Greenberg presents a Freudian reading in his The Movies on Your Mind , in which the transgressions which prevent Rick from returning to the United States constitute an Oedipus complex , which is resolved only when Rick begins to identify with the father figure of Laszlo and the cause which he represents.
Rick, Herr Rick and boss as evidence of the different meanings which he has for each person. Because of its November release, the New York Film Critics decided to include the film in its award season for best picture.
Casablanca lost to In Which We Serve. As Bogart stepped out of his car at the awards ceremony, "the crowd surged forward, almost engulfing him and his wife, Mayo Methot.
It took 12 police officers to rescue the two, and a red-faced, startled, yet smiling Bogart heard a chorus of cries of 'good luck' and 'here's looking at you, kid' as he was rushed into the theater.
When the award for Best Picture was announced, producer Hal B. Wallis got up to accept, but studio head Jack L. Warner rushed up to the stage "with a broad, flashing smile and a look of great self-satisfaction," Wallis later recalled.
Casablanca had been my creation; Jack had absolutely nothing to do with it. As the audience gasped, I tried to get out of the row of seats and into the aisle, but the entire Warner family sat blocking me.
I had no alternative but to sit down again, humiliated and furious Almost forty years later, I still haven't recovered from the shock. In , the film was one of the first 25 films selected for preservation in the United States National Film Registry as being deemed "culturally, historically, or aesthetically significant".
The film also ranked at number 28 on Empire ' s list of the Greatest Movies of All Time, which stated: But it's Bogart and Bergman's show, entering immortality as screen lovers reunited only to part.
The irrefutible [ sic ] proof that great movies are accidents. The film has been selected by the American Film Institute for many of their lists of important American films:.
A subsequent two-disc special edition, containing audio commentaries, documentaries, and a newly remastered visual and audio presentation, was released in A Blu-ray release with new special features came out on December 2, ; it is also available on DVD.
It was eventually released as a stand-alone Blu-ray in September It includes a brand-new 4K restoration and new bonus material.
Almost from the moment Casablanca became a hit, talk began of producing a sequel. One titled Brazzaville in the final scene, Renault recommends fleeing to that Free French-held city was planned, but never produced.
Since then, no studio has seriously considered filming a sequel or outright remake. Stories of a Casablanca remake or sequel nonetheless persist.
In , the Daily Mail reported that Madonna was pursuing a remake set in modern-day Iraq. The book met with little success.
There have been two short-lived television series based upon Casablanca , both sharing the title. Presents in hour-long episodes from to , is a Cold War espionage program set contemporaneously with its production, and starred Charles McGraw as Rick and Marcel Dalio , who played Emil the croupier in the movie, as the police chief.
There were several radio adaptations of the film. Two other thirty-minute adaptations were aired, one on Philip Morris Playhouse on September 3, , and the other on Theater of Romance on December 19, , in which Dooley Wilson reprised his role as Sam.
Julius Epstein made two attempts to turn the film into a Broadway musical , in and , but neither made it to the stage. Casablanca was part of the film colorization controversy of the s,  when a colorized version aired on the television network WTBS.
I did it because I wanted to. All I'm trying to do is protect my investment. The Library of Congress deemed that the color change differed so much from the original film that it gave a new copyright to Turner Entertainment.
When the colorized film debuted on WTBS, it was watched by three million viewers, not making the top-ten viewed cable shows for the week.
Although Jack Matthews of the Los Angeles Times called the finished product "state of the art", it was mostly met with negative critical reception.
Casablanca in color ended up being much blander in appearance and, overall, much less visually interesting than its predecessor.
Several rumors and misconceptions have grown up around the film, one being that Ronald Reagan was originally chosen to play Rick.
This originated in a press release issued by the studio early on in the film's development, but by that time the studio already knew that he was going into the Army, and he was never seriously considered.
Studio records make clear that Wallis was committed to Bogart from the start. Another well-known story is that the actors did not know until the last day of shooting how the film was to end.
The original play set entirely in the cafe ended with Rick sending Ilsa and Laszlo to the airport. During scriptwriting, the possibility was discussed of Laszlo being killed in Casablanca, allowing Rick and Ilsa to leave together, but as Casey Robinson wrote to Hal Wallis before filming began, the ending of the film "set up for a swell twist when Rick sends her away on the plane with Laszlo.
For now, in doing so, he is not just solving a love triangle. He is forcing the girl to live up to the idealism of her nature, forcing her to carry on with the work that in these days is far more important than the love of two little people.
The concern was not whether Ilsa would leave with Laszlo, but how this result could be engineered. At that instant the identical twins turned to each other and simultaneously cried out, "Round up the usual suspects!
Rewrites did occur during the filming, but Aljean Harmetz's examination of the scripts has shown that many of the key scenes were shot after Bergman knew how the film would end; any confusion was, in critic Roger Ebert 's words, "emotional", not "factual".
The film has several logical flaws, one being the two "letters of transit" that enable their bearers to leave Vichy French territory.
Weygand had been the Vichy delegate-general for the North African colonies until November , a month before the film is set. But de Gaulle was the head of the Free French government in exile , so a letter signed by him would have provided no benefit.
In the same vein, though Laszlo asserts that the Nazis cannot arrest him, saying, "This is still unoccupied France; any violation of neutrality would reflect on Captain Renault," Ebert points out, "It makes no sense that he could walk around freely.
He would be arrested on sight. According to Harmetz, the usual route out of Germany, at least for people in the film industry, was not via Morocco and Lisbon but via Vienna, Prague, Paris and England.
Only the film's technical adviser, Robert Aisner, traced the path to Morocco shown in the film's opening scene.
From Wikipedia, the free encyclopedia. Theatrical release poster by Bill Gold. Archived from the original on August 11, Retrieved August 14, British Board of Film Classification.
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